英文導游詞樣本（精選3篇）
英文導游詞樣本 篇1
Welcome to anhui wenbo garden! I'm your guide. My last name is x. you can call me xiao x. To make it easier for you to visit, let me introduce you first.
Visit the five thousand years expo garden near the industrial park of the people's east road in the county town. Come to the destination, a row of blue brick and black tiles of the hui architecture of the wall is reflected in the eye, the archway of the gate is written a few words of the big words - "five thousand years wenbo garden".
On the left side of the door is a row of huizhou houses, but all of them are glass doors. It's probably the exhibition room. We didn't go in. On the right is a huge rock that says "the past of taihu lake", which attracted our attention. See a stone in front of the building with a row of houses, wooden door, wooden window, HeiWa, the door by peasant commonly used hand fan, rice basket, plough, rake and other objects, mottled surfaces also hanging on the wall of corn, garlic, brush with eye-catching signs, the cow muck rake of the dark! The old houses, which are hard to see in these villages, are very unattractive. Why are they built here? Father told us, this is according to the rural appearance of the 1960s and 1970s, built in here is for education children's happiness hard-won! I think: these are the memories of my father's childhood in the countryside.
On the left side of the root carving garden, see a row of large and small pieces of carved stone neatly placed in the corridor, attracting a lot of visitors to stop and watch. These carved pieces are of different shapes and shapes: the young girl with amorous feelings, the elderly with a long beard, the butterfly with wings, the water buffalo with the head and tail. All is lifelike, lifelike. Look, the maitreya opened his mouth wide and laughed, as if there was something happy that would make him smile all his life; Ah, crocodile! The pointy mouth, the long tail, and majestically on a stone, seemed to be demonstrating to us; What impresses me most is the kind of "old man of longevity", whose forehead is deeply locked, and his eyes are bright, his chest is long, his expression is serene and he is amazing! Who says that a rotten wood can't be carved? The ordinary roots of the tree, carved by the sculptor, have become such a wonderful work of art!
Then, we ascended the steps and visited the scenic spots such as the stone garden, the bonsai garden and the "cultural anqing". The natural texture of the lingbi stone in the garden is inspiring; There are thousands of potted landscapes in the potted landscape garden, which make the tourists linger on. Walking into the "cultural anqing" scenic spot, it is another scene before us. As my father explained to us as he walked, "cultural anqing" turned out to be a condensed version of our culture and history. Here, I met Chen duxiu of huining, zhang hating water of qianshan and zhao puchu of taihu lake. I knew that tongcheng had "six foot lane" and the moving story of "peacock southeast flying" and so on. Moving to the scene, we feel as if we have entered a long history of the culture of the long scroll, the memory is endless.
There is so much scenery in wenbo garden! My father told me that wenbo garden is still under construction, and what we see today is only a small part of it. Listening to my father's introduction, looking at the slogan "give me one day, return your millennium", I can't help but have a bigger expectation for the expo garden! I will see you again when you are finished.
英文導游詞樣本 篇2
Article five thousand expo garden near the county people's east road industrial park, is also a few hundred meters away from my home, so I often go there to play, see and think about five thousand years history of civilization in our country, because has been under construction, every time I can see new attractions to the campus. This year "May Day", the wenbo garden officially opened, thousands of tourists from all over the world gathered here, savor this heavy Chinese 5,000 years of civilization.
With the stream of people, I went back to wen bo garden again and felt the profound and profound culture of the five thousand years. Two giant kirin zhang wen expo garden the door with big mouth, let a person feel a kind of majesty into the main entrance to the dozens of the steps, like to the throne, jacaranda door carved with elegant and strong characters, "expo garden" in five thousand.
On the left and right sides of the entrance are the high walls, and on one side are the full text of the "three words", inscribed with the word "fu" in different fonts. Take a few steps to the inside, pan gu the reconstruction of the earth is in front of the view, see pangu take an axe stand between two semicircle, the symbolic world is born. The front wall is square, and some of them are written backwards in order to represent one of the four great inventions: typography, which shows the nature of Chinese people. Walking on the route to the five-thousand-year civilization, you can learn a lot by walking on every stone that you see on your feet, with your map of every province and every city. Then it came to the "dragon world" square, and the dragon was flying in the sky.
After the square, the sculpture of many historical figures came into view, from the three Kings and five emperors of pangu, as well as some people with great influence on history, such as Confucius and laozi. What is interesting is that the grand old man is like the side with "the first one", which is to attract tourists? You see, a lot of tourists are rushing to take pictures of the first feeling of the old man.
Walked along the "Great Wall", see "huaguo mountain", came to the "xia" met along the way of huaining Chen duxiu, buried hill of zhang henshui, taihu lake, at the beginning of knowledge the tongcheng "six feet lane", "the peacock flies southeast" buried hill. Unconsciously, the "wan jie", which stands at the entrance of huizhou architecture, stands on the street, with the sculpture of "hands holding chopsticks and spoons", as if to explain to people "people eat for the day"... There are many scenic spots in wenbo garden, but the landmark of the park should be the golden dragon that sits on the pillar, which is not the symbol of the Chinese nation!
Out of the expo garden, I was deeply impressed by the profound cultural heritage of China for 5,000 years, and I was deeply impressed by the wisdom and work of the skilled craftsman in the five thousand years. It really shows "give me a day, return you a thousand years" of generosity!
英文導游詞樣本 篇3
emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum
emperor qin shihuang (259-210b.c.) had ying as his surname and zheng as his given name. he name to the throne of the qin at age 13, and took the helm of the state at age of 22. by 221 b.c., he had annexed the six rival principalities of qi, chu, yan, han, zhao and wei, and established the first feudal empire in china’s history.
in the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.
after he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.
emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”
emperor qin shihuang,for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.
no.1 pit was stumbled upon in march 1974 when villagers of xiyang village of yanzhai township, lintong county, sank a well 1.5km east of the mausoleum. in 1976, no.2 and 3 pits were found 20m north of no.1 pit respectively after the drilling survey. the terra-cotta warriors and horses are arrayed according to the qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. this discovery aroused much interest both at home and abroad. in 1975, a museum, housing the site of no.1 and covering an area of 16,300 square meters was built with the permission of the state council. the museum was formally opened to public on oct.1, the national day, 1979.
no.1 pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. it is an earth-and-wood structure in the shape of a tunnel. there are five sloping entrances on the eastern and western sides of the pit respectively. the pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. the battle formation of the qin dynasty, facing east. in the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. they are supposed to be the van of the formation. immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. they are probably the main body of the formation. there is one line of warriors in the left, right and west ends respectively, facing outwards. they are probably the flanks and the rear. there are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from no.1 pit.
no.2 pit sis about half the size of no.1 pit, covering about 6,000 square meters trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. the 2,000-year-old wooden chariots are already rotten. but their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. the copper parts of the chariots still remain. each chariot is pulled by four horses which are one and half meters high and two metres long. according to textual research, these clay horses were sculptures after the breed in the area of hexi corridor. the horses for the cavalrymen were already saddled, but with no stirups.
no.3 pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. now, no.2 and 3 pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. the floors of both no.1 and 2 pits were covered with a layer of silt of 15 to 20cm thick. in these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. analysis shows that the pits were burned down by xiang yu, leader of a peasant army. all of the clay warriors in the three pits held real weapons in their hands and face east, showing emperor qin shihuang’s strong determination of wiping out the six states and unifying the whole country.
the height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. they look healthy and strong and have different facial expressions. probably they were sculpted by craftsmen according to real soldiers of the qin dynasy. they organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. the clay models were then put in kilns, baked and colour-painted. as the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. however, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. they are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. these weapons were exquisitely made. some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. this indicates that qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.
in december 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of emperor qin shihuang’s mausoleum. these single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. the four horses harnessed to the chariot are 65-67 centimeters tall. the restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
the chariots and horses are decorated with coloured drawings against white background. they have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. probably they were meant for the use of emperor qin shihuang’s soul to go on inspection. the bronze chariots and horses were made by lost wax casting, which shows a high level of technology. for instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. according to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. the excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the qin dynasty.
no.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. after two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on october 1, 1983. no.1 bronze chariot hand horses are on display from 1988.